A trap a lot of Indie bands fall into when they record an album at home or in a small project studio is that they forget to finish off the process. They will record their tracks, mix them to the best of their ability and stick them up on myspace or any other music networking site and although this is fine, there is so much more than can be done to get a more professional sounding and finished product.
This is where the mastering process comes in. There are no set rules when it comes to mastering and the process can be complicated. After the process is completed the tracks can then be transferred to some kind of data storage, normally CD for reproduction or reformatted for distribution across the internet.
The process I use, is to firstly get to a final mix I'm happy with without using any compression, limiting or eq on the master channel and leaving enough headroom so that the mastering process can be more effective. If a mix is too loud with too many peaks the mastering process will be that much more difficult to obtain great results. An optimum level for a mix would be around -8db.
I've done quite a few mastering jobs over the years and I use mainly digital plugins. Here they are briefly and in the order I use them.
1. High Pass Filter: to get rid of unwanted low frequency noise and rumble
2. EQ : done to suit the track and bring out good or quash harsh frequencies
3. Compression - to tighten up the mix and gel the music together
4. Limiting - to bring up the overall volume levels of the track.
5. High Pass Filter: Again to take out any low rumble if left by the processes above.
6. Spectrum Analyser in real time (at the end of the chain) for a visual look at the track as it plays to see where any problems maybe occuring.
Other processes that may need to be done include, noise reduction, signal restoration, editing, levelling and fade ins/outs
As you can see it can be a difficult job and no doubt if we all had the money we could spend a couple of hundred quid per track sending them to a dedicated mastering engineer.
The bottom line is you should be driven by what sounds best, how you get there is irrelevant, but with a little knowledge and experience you can achieve industry standard results .With this in mind I hope to set up an affordable on-line mastering service in the near future.
Feel free to contact me on cpicton882@aol.com if you'd like to enquire about having your tracks mastered.
Musical Thoughts For Nought
A picture of my little home studio in the corner under the stairs. At least I'm not locked away in the attic. Its actually all I need and quite compact. The 3 guitars I use are a 6 string Ibanez btb Bass, a Fender stratocaster, and an Ozark electro acoustic. The piano is a Roland weighted keyboard midi'd to Reason in the PC and midi'd to a Korg TR-Rack. My audio interface is a Line 6 toneport into the PC via usb. The Digital Audio Workstation I use is Cubase SX3 which also runs Reason 4.0 software via Rewire. I have used other DAW's but I like Cubase and know it back to front and it does what it I ask it to so don't need to change. I have tons of plug-ins including a large Waves pack. I use Ezdrummer and Superior Drummer for programming drums and that's about it.
